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Pure Love Chaos is the second ending theme of Gyakuten Saiban: Sono “Shinjitsu”, Igiari!, the Ace Attorney anime adaptation. It was used from Reunion and Turnabout - 1st Trial to Farewell, My Turnabout - Last Trial, for a total of 10 episodes.

The song was performed by Tokyo Performance Doll.

LyricsEdit

Japanese Romanization English
それは光じゃない

すべては純愛のカオス

影に生まれる

心を抱きしめてくれますか

純情そうなフリしてても

流れる汗の粒盜む視線

感情なんて言葉ひとつ

一突きしたなろ破裂しちゃう

借りてるハンカチ

白すぎて痛いよ

握りしめた 途端に

大事ななにかが汚れそう

これは涙じゃない

未来へ続くラビリンス

どんな迷いも

出口探すしかないだけ

それは光じゃない

すべては純愛のカオス

影に生まれる

心を抱きしめてくれますか

絶対とかありえなくて

近づく距離でまた息が止まる

なんでだろう さみしいのは

誰かと見上げた空の青さ

失くして泣くなら

はじめからいらない

孤独なんていつかは

普通に笑えるものでしょ

これは涙じゃない

自分を試すプログラム

どんな傷でも

痛みはリアルを教える

それは光じゃない すべては純愛のカオス

影に生まれる

心を抱きしめてくれますか

本気でつかんだ情熱は逃げない

見えなくても越えなきゃ

ならない 明日が あるから

これは涙じゃない

未来へ続くラビリンス

どんな迷いも

出口探すしかないだけ

それは光じゃない

すべては純愛のカオス

影に生まれる 心を抱きしめてくれますか

sore wa hikari janai

subete wa jun'ai no KAOSU kage ni umareru kokoro o dakishimete kuremasu ka

junjou sou na furi shitete mo nagareru ase no tsubu  nusumu shisen kanjou nante  kotoba hitotsu hitotsuki shita nara haretsu shichau

kariteru HANKACHI shiro sugite itai yo nigirishimeta totan ni daiji na nanika ga yogore sou

kore wa namida janai mirai e tsuzuku RABIRINSU donna mayoi mo deguchi sagasu shika nai dake

sore wa hikari janai subete wa jun'ai no KAOSU kage ni umareru kokoro o dakishimete kuremasu ka

Zettai to ka arienakute Chikadzuku kyori de mata iki ga tomaru Nande darou samishii no wa Dareka to miageta sora no aosa

Nakushite naku nara Hajime kara iranai Kodoku nante itsuka wa Futsuu ni waraeru mono desho

Kore wa namida ja nai Jibun wo tamesu PUROGURAMU Donna kizu demo Itami wa RAIARU wo oshieru

Sore wa hikari ja nai Subete wa jun’ai no KAOSU Kage ni umareru

Kokoro wo dakishimete kuremasu ka

Honki de tsukan da jounetsu wa nigenai Mienakutemo koenakya Naranai ashita ga aru kara

Kore wa namida ja nai Mirai e tsudzuku RABIRINSU Donna mayoi mo Deguchi sagasu shikanai dake

Sore wa hikari ja nai Subete wa jun’ai no KAOSU Kage ni umareru Kokoro wo dakishimete kuremasu ka

That’s not light

It’s all the chaos of pure love
Shadows are coming to life
Will you embrace my heart?

Even though I’m pretending to be innocent I steal a glance at you, dripping with sweat My feelings, a single word If you were to poke me, it’d explode

The handkerchief you loaned me Was so white it hurt The instant I took it It seemed it was stained by something precious

These aren’t tears They’re a labyrinth that leads to the future No matter how lost you get You have no choice but to find the exit

That’s not light It’s all the chaos of pure love Shadows are coming to life Will you embrace my heart?

Nothing is for certain As I get closer to you I hold my breath I wonder why the one that is lonely Gazed at the blueness of the sky with someone else

If you’re crying because you lost something You don’t need to start from the beginning Someday, the loneliness you felt Will be something to laugh about as usual

These aren’t tears They’re a program made to test me No matter the injury The pain tells you that it’s real

That’s not light It’s all the chaos of pure love Shadows are coming to life Will you embrace my heart?

Don’t run away from passion, grasp it seriously You have to surpass it even if you can’t see it Because you have tomorrow….

These aren’t tears They’re a labyrinth that leads to the future No matter how lost you get You have no choice but to find the exit

That’s not light It’s all the chaos of pure love Shadows are coming to life Will you embrace my heart?

SynopsisEdit

Pure Love Chaos

The closing shot of the ending sequence.

The sequence begins with a close-up image of the Blue Badger panel (from Rise from the Ashes, a game episode that was not adapted for the anime) on a blue and yellow striped background. Although the panel is initially still, it suddenly springs into life and raises its arms above its head.

The scene then switches to a front view of Pearl Fey sitting in front of a field of sunflowers, with Missile sitting on her right, the Pomeranian adopted by Miles Edgeworth in Turnabout Promise sitting on her left, and Polly sitting on her left shoulder. A sequence of images appear showing the two dogs and bird acting happily to the "camera", before returning to the four of them looking out over a skyline of a city during daybreak (with Polly now sitting on Fey's head), albeit this time viewing the quartet from behind.

Another scene switch leads to police department entrance, with the Blue Badger panel "dancing" outside. Maya Fey, wearing a school uniform, then walks over to it before stopping and smiling. A series of characters beside the Blue Badger panel is then shown: Phoenix Wright taking shelter from the rain, Edgeworth leaving the police department, and Franziska von Karma summoning Dick Gumshoe to her side. A series of images of the courtroom then follows: the judge's gavel, a view from near the witness stand, and the area where the defendant sits.

Once again, the scene returns to Pearl and her animal friends looking out over the city, with the two dogs edging in closer to her side. It then switches to the same front view that was at the start of the opening, with the four looking even happier than before, while confetti falls around them. Pearl then gets up and runs towards Wright and Maya (with Larry Butz, Gumshoe, the judge, von Karma, and Edgeworth being added in later episodes), with the bird and two dogs flying and running, respectively, ahead of her.

NoteEdit

  • The design of the badges worn by defense attorneys in both the Ace Attorney series and real-life Japan is of a stylized sunflower with the scales of justice in the center; sunflowers are seen to symbolize freedom and justice owing to their habit of always facing the sun. This explains why sunflowers are so prevalent in the ending.
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